​​AUDITION DATES

December 8, 9, and 10, 2025 at 6:30 PM​​

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REHEARSALS

Begin with a cast meeting/welcome in December, and then fully begin in January after the New Year. Rehearsals will typically be held Monday through Thursday from 6:30 PM–9:30 PM and Sundays from 1:00–5:00 PM, there will be some Saturdays for costume/photo shoot purposes. Not everyone is called to every initial rehearsal. Tech rehearsals begin February 16. When you audition, please fully list any conflicts you may have at that time. A rehearsal outline is linked here. 

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PERFORMANCE DATES

Performance Dates: February 27 – March 15, 2026

• Fridays at 7:30 PM

• Saturdays at 2:00 PM and 7:30 PM (the first weekend has only a Saturday 2pm show)

• Sundays at 2:00 PM

 

Please note: the second weekend now includes a Thursday show at 7:30 PM.

 

ELIGIBILITY

All auditioning must be 18 years of age or older due to the adult nature of the show and its mature themes/messages and some provocative costuming. The production will not be edited or altered in any way, so all cast members must be fully comfortable with the content & style. If you are not 18 at the time of auditions but will turn 18 during the rehearsal process, you are eligible. Show is rated R. 

 

SYNOPSIS

Set in 1929-1930 Berlin during the twilight of the Jazz Age, as the Nazis are rising to power, Cabaret focuses on the nightlife at the seedy Kit Kat Klub and revolves around young American writer Cliff Bradshaw and his relationship with English cabaret performer Sally Bowles. 

 

AUDITION REQUIREMENTS​

• Prepare 16–32 bars of a song in the style of the show that suits the role(s) you're auditioning for. Looking for some inspiration check out this link for some song ideas!

• Singing a song directly from Cabaret for your initial audition is not recommended.

• It is preferred that you sing with sheet music in the correct key—an accompanist will be provided. However, you may use a backing track if necessary. No a cappella auditions, please.

• A dance call will be held at auditions for intensive dance roles, including Sally Bowles, the Emcee, and all Kit Kat Girls & Boys.

• Please come prepared for dance with appropriate footwear (women – character heels or jazz shoes; men – jazz shoes or jazz sneakers) and fitted dance clothing.

• Cold readings from the script will follow the music and dance portions, as well as singing songs from the show for characters with solos (list of those songs here). Not everyone may be involved in this portion. 

• For audition prep and style reference, we recommend reviewing/listening to the 1998 Broadway revival, which this production will be modeled after.

 

VIDEO SUBMISSIONS
If you cannot attend in-person auditions, a video submission may be sent to lisa@verobeachtheatreguild.com no later than December 8 at 6:00 PM. Please include:

• Yourself singing 16–32 bars

• A short monologue

• The role(s) you would accept

• Any scheduling conflicts listed in your email submission

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CHARACTER BREAKDOWN​
All roles are for performers age 18 and older. All cast members must be comfortable with the show’s mature themes, including physical intimacy or expressions of sexuality on stage as well as the political context and imagery. Performers of all ethnicities, body types, and gender identities are encouraged to audition. The cast will include up to 16 performers and all roles are available. 

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Emcee – Lead, Male, 20–40. Vocal range: high baritone-tenor (middle C to high C#).

The sexually ambiguous and magnetic host of the Kit Kat Klub. Must have strong dance ability & strong vocals. Exudes charisma, strong comedic timing, and comfortable interacting with the audience. Must also be comfortable in revealing costuming. German accent required. *Note this role could possibly be played by any gender if presented itself at auditions*

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Sally Bowles – Lead, Female, 20–40. Vocal range: alto-mezzo (low A to high C) with a strong belt.

A quirky and charming British cabaret singer who confronts the darker truths of her lifestyle. Strong dance required. Must be comfortable in revealing costumes and with her femininity. Must be able to show raw and real emotion onstage. British accent required.

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Cliff Bradshaw – Lead, Male, 20–40. Vocal range: high baritone-tenor (low A to high E).

An American novelist and English teacher. Must be comfortable exploring themes of sexual identity and intimacy. Light dance and stage movement required.

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Fraulein Schneider – Supporting, Female, 50+. Vocal range: alto (low D to Ab above middle C) Strong belt.

A strong-willed landlady resigned to solitude until she falls for Herr Schultz. Light waltz required. German accent required.

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Herr Schultz – Supporting, Male, 50+. Vocal range: baritone (low G to high F).

A kind Jewish fruit vendor who falls in love with Fraulein Schneider. Light waltz required. German accent required.

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Fraulein Kost – Supporting, Female, 30–50. Vocal range: alto/mezzo (low A to high F) with strong belt.

A bold, sexually confident woman who rents from Fraulein Schneider and pays by providing “favors” to the local sailors. Must be comfortable in revealing costumes. Speaks with a German accent. She also is Fritzie, one of the Kit Kat Klub Girls.

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Ernst Ludwig – Supporting, Male, 20–40. Flexible vocal range (sings with ensemble).

A charming German who takes English lessons from Cliff and is secretly involved in Nazi smuggling. Light waltz required. German accent required.

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Kit Kat Klub Girls – Supporting, Females, 18–40. Various vocal ranges.

Strong singers and strong dancers required. Must be comfortable with sensual choreography, revealing costumes, and audience interaction. They are in all the major numbers of the show, as well as preshow and intermission activities, very busy! Characters include Rosie, Lulu, Frenchie, Texas, and Helga. The featured roles in “Two Ladies” and the Gorilla in “If You Could See Her” will be drawn from this group.

 

Kit Kat Klub Boys – Supporting, Males, 18–40. Various vocal ranges.

Strong singers and dancers. Must be comfortable shirtless, in close proximity with others, and with audience interaction as they will be a part of preshow and intermission activities. Characters include Herman, Hans, Victor, and Bobby. Additional featured roles (Max, Rudy, Customs Official) will also be drawn from this group.

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CALLBACKS
Some auditioners may be asked to return on one of the audition nights as their callback. A separate callback date is not planned at this time but will be announced if needed. We will not be asking everyone to come back so please do not view the presence/absence of a call back as reflective of your chances of being cast in the show! 

CONTACT
For any questions regarding auditions or the production, please email director Ben Earman at Jbeut@aol.com.

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INCLUSIVITY & ACCESSIBILITY
Vero Beach Theatre Guild is committed to creating a welcoming and inclusive space for all artists. We encourage performers of all races, ethnicities, gender identities, body types, abilities, and backgrounds to audition. If you require any accommodations to make your audition process more accessible—such as wheelchair access, additional time, a reader, or alternative formats—please let us know. We are happy to work with you to ensure you can share your talents in a supportive environment.